Records of three Cuban artists were included by the distinguished Billboard magazine among the many 50 best Latin albums of the last decade. Chucho Valdés, Cachao López and Haydée Milanés―in a duo along with her father Pablo―were chosen by the American specialized publication as a part of what it classifies as “Latin music’s big comeback.”
Chucho entered the list because of Jazz Batá 2, a 2018 album with which he recently won his fourth Latin Grammy. Dedicated to the centenary of his father, the nice Bebo Valdés, this album traces “the steps of African religious ritual’s journey into popular Cuban music, conjuring ancestral spirits, but in addition those of progressive jazz greats,” Billboard highlighted within the note on the list, by which the albums are organized in accordance with the yr of their release.
“With the convenience and confidence of his stature, Chucho brings to the fore the timeless grace and continuous innovation that marked his father’s profession, and has characterised his own artistic output,” adds the publication on this album by the founding father of Irakere, who already has in his catalog the Latin Recording Academy’s Award for Excellency, amongst many other awards.
For his part, the late Israel “Cachao” López was included for The Last Mambo, an album that appeared in 2010, two years after the death of the legendary double bass player. The album also features a successful Cachao concert, recorded in Miami in 2007, when he was 89 years old, and whom the magazine qualifies as “a superb and revolutionary artist with unusual grace.”
Along with the master of the mambo and jazz, other Latin musicians of several generations shine, amongst them Cándido Camero, Alfredo de la Fe, Dave Valentin and Jimmy Bosch, a component also considered by Billboard in its selection.
Finally, Haydée Milanés deserved the publication’s vote for the double album Amor-Amor Deluxe, by which she reveres the work of her father, the notable singer-songwriter Pablo Milanés.
In the primary album, Haydée makes a duet with Pablo interpreting his classics akin to “Para vivir,” “Ya ves,” “El breve espacio en que no estás” and the one that provides its name to the album. Meanwhile, the deluxe version is accompanied by figures akin to Omara Portuondo, Pancho Céspedes, Fito Páez and Joaquín Sabina, to assume other unforgettable songs.
From this last album, Billboard highlights the “exquisite” version of “Yolanda” with Omara Portuondo and a “stirring” “La Vida No Vale Nada” with Lila Downs. With this, the magazine ensures that a bunch “beautifully framed by acoustic arrangements” is achieved, to provide “a purely felt work of heart and soul.”
Within the list of the 50 best Latin albums of the last decade, Diego El Cigala also stands out with Indestructible (2016), an album that “passionately connects” the musical traditions of the Americas and Spain, and has the collaboration of Cuban pianist Gonzalo Rubalcaba; the Puerto Rican duo Calle 13 with its anthological album Entren los que quieran (2010); and the Dominican star Juan Luis Guerra with Todo tiene su hora (2014), considered by Billboard “a must-listen for anyone who wants to grasp the scope of tropical music.”
As well as, the list includes records of successful artists of the Latin scene akin to Enrique Iglesias, Shakira, Alejandro Sanz and Marc Anthony, of renowned Uruguayan singer-songwriter Jorge Drexler, deceased Mexican singer Juan Gabriel, the successful group Maná, in addition to popular representatives of the so-called urban music like Ozuna, Karol G, J Balvin and Bad Bunny.